Friday, February 24, 2017

Alex Preston with The Come On and Rooster @The Nick, 02/23/2017



Alex Preston. Enjoy the one and only picture I managed to take.

Well, that was an interesting experience.

I am far from adept at the pub crawl. I go to plenty of concerts, but I have zero knowledge of where the local bands play or what their names are. If I know of someone I like around town that's playing, I tend to go (solo and often sans inebriation), but I usually end up at the local hipster clubs, and even they're a little less hip since Bottletree closed up shop. So this was a bit out of my comfort zone.

The Nick's been around since I was a teenager: it's been almost twenty years, so I guess it's about time I checked the place out. It's fairly proud of its reputation as a dive bar, as well as the fact that sub-millennials like me have no idea that is still exists (The tagline for the venue is, after, all, "Birmingham's Best Kept Secret"). Still, it seems mostly to cater to metal and hard rock acts. It's not really where one expects to see an acoustic act primarily known for his stint on American Idol.

(Speaking of Idol, Alex sort of went out of his way to avoid that particular topic, which is not something I've experienced when I've seen Idol alumni play at other small venues. He mentioned that he had only been to Birmingham once before, and I'm pretty sure that was when the Idol tour swung around these parts a few years ago, but he definitely didn't let on why he was here. I don't think anybody would have given him any flak for it, but who knows).

On that note, this was one of the least boisterous concert experiences I have ever had. The bar was mostly filled with regulars and I'm pretty sure only a handful of us were there specifically for the music. There was a raucous discussion between a sixtysomething low-level redneck and a hipster dressed in what I can only describe as Mad Scientist chic (purple hair, yellow trench coat, Santa Clause red pants, and spectacles that put my vision to shame) about various political issues that was allegedly to be followed up on at a later time, but even that didn't seem to have the potential of a bar fight. I might have been mildly disappointed, but I'm not sure the kind of music I was there for calls for that sort of thing, either.

Alex was in really fine form: the acoustic blues stylings perhaps play best to just him and a guitar, and he was fabulous. The guitar playing has gotten a lot better since Idol, and he was in really great vocal form. I see a lot of bands who are great live but have never, ever been accused of singing in tune, so I definitely appreciate someone who can sing great as well as put on an engaging performance. I only recognized about half of the songs from his 2015 album, but the new stuff was really good, too, and I'm hoping he puts out more. His cover version of Sex and Candy was one of the sexiest things I've ever heard, too.

Alex played a longer set than the other two acts (I think he did about 12-13 songs, and the next two acts only did about 7 each) and I wasn't going to stay for the duration of the evening, but the guy in the mad scientist get-up who had been sitting next to me during Alex's entire set turned out to be the lead singer of the next band, The Come On. I don't know why it took me so long to figure that one out (I guess not a lot fazes me these days). They were a quirky rock back in the style of They Might Be Giants or Cake: typical subject matter was cemeteries, Oliver Sacks, and black and white TVs. It wasn't really my type of music, but it was definitely entertaining.

I was set to leave after that point (it was getting close to 1 AM), but the final act, Rooster, turned out to be the same band . . . once the Mad Scientist frontman discarded his trench coat and the blonde girl on keyboards slapped on an acoustic guitar and proceeded to churn out the moody, decadent, funereal alt-country stylings that I love. Turns out Rooster and The Come On are the same band. The music livened up after a few songs, but I didn't mind. Things got a bit punk rock with the closer, with lots of screaming about bad men, too much whiskey, and ne'er do well relatives. I think that girl and I may be related.

Rooster and The Come On don't have much of a social media presence, but The Come On do have a few songs out on Spotify. As for Alex, the Spotify link is here if you care to give his stuff a listen.





Thursday, December 1, 2016

Fall



                                                                 It finally happened.

Well, we all knew we would end up here, didn't we?

I have to say that this was possibly my favorite resolution to any romantic storyline on TV ever, and one of the best TV episodes ever, from start to finish. I'm not that worried about Rory's plotline because we've seen it played out already, and it will end exactly this way. Which is the way it should be.

I wasn't that enchanted with Lorelai's nature misadventures, apart from the #Parenthood cameos. It was very kind of Lauren to give half of the cast of her last show a job. Peter Krause in particular cracked me up: it was very amusing to watch Lauren attempt to flirt shamelessly with Lauren Graham's real-life boyfriend (thankfully, they still have no romantic chemistry whatsoever).

Fun fact: Jason Ritter not only played Lauren's love interest on Parenthood but also Alexis Bledel's love interest on the doomed sitcom Us and Them (so terrible they never bothered to show episodes) and Scott Patterson's prospective son-in-law on the doomed The Event (also fairly terrible, though since I stopped watching after four episodes I couldn't tell you if it got better or not). All of this pretty much proves that Sarah Braverman really needed to end up with someone her own age.


Summer


                                                 Luke in overprotective dad mode is the best.

I know a lot of people hate April and blame her for ruining Lorelai and Luke's relationship, but nothing that happened was that kid's fault. It's not her fault her father was an idiot about relationships, or that her mother kept her hidden away from him for so long. (On the other hand, it is absolutely at least half Christopher's fault that Lorelai was an idiot about relationships). It certainly wasn't her fault that the writers and Lauren Graham seemed really keen to have Lorelai embark on a relationship with Christopher (although in retrospect, I think that was mostly PR on Lauren's part). I'm probably a bad judge since I watched so little of the kid's originaltime on the show, but I didn't mind her return appearance.

I really did like the semi-blended family dynamic here, even if it's not as blended as perhaps it needs to be. As someone got got folded into a blended family after my parents split up when I was an adult, the interaction between April and Rory felt very true to how I interacted with my stepsisters, especially before we knew each other that well. Rory calming April down while their parents watch TV in the next room is something that's straight out of my life, although in my case it's usually our parents choosing to hide while my stepsisters and I discuss #WalkingDead theories. They didn't grow up together and they've probably only seen each other a couple of times, but there's definitely dramatic potential there. You know that April has heard a gazillion stories about how accomplished Rory is over the past nine years.


Spring

After six years, we finally have the eternal mystery solved. Mr. Kim exists!

 
I kind of can't believe it myself.

I guess he was just hiding from Mrs. Kim this entire time. Can't say I blame him.

The whole episode in the Black White and Read theater was perfection. All the townies with their multiple snacks, Kirk in cosplay, Kirk and his weird short film. Luke telling Lorelai he'll be fine with having to hold her during the movie (Aw, y'all are the cutest). On that note . . .

Oh, Luke and Lorelai and their web of lies. In the long run, this isn't really relationship-ruining drama, but it does open up past bad patterns of behavior. This probably would have really worried me if I hadn't checked the spoilers for all of these episodes first.


Winter



              A gorgeous scene that this Alabamian will never be able to relate to


I think I loved this episode almost as much as the finale. It wasn't until I had watched it that I realized that despite quitting due to shipper rage, there really was so much I loved about the show other than the main couple. The family relationships, the witty repartee, the townies, all with their own little dramas and foibles and quirks . . . it was really wonderful being in that world again.


The fact that Luke was so proud of Rory that he ordered extra copies of her New Yorker article and plastered them on the back of the diner menus (as well as meeting her forgettable boyfriend) really puts into focus on how he has essentially become her official surrogate dad. He always danced around that in the original series, in part because he didn't want to get in Lorelai's way and due to the ever-changing status of their relationship, but he's really settled into that role now and I heart it.



A Post on the #GilmoreGirlsRevival, the revival I never wanted to happen and yet somehow was everything I didn't think was possible.


                Disclaimer: these little rants are spoiler-heavy and not recaps. I still think it's crazy I'm even doing this, but I spent a lot of time on the TWOP forums back in the day and I didn't realize until I watched this again how much the show had meant to me, how much I had missed it. I've got a lot to say and I don't really have anyone to talk to about it, because the forums are gone, Tumblr and Twitter are still too aghast at not getting the resolution to Rory's love life that they wanted, and no one in real life is going to get this. I also had lots of fun collecting the GIFs and captions. I spent years dissecting Luke and Lorelai's relationship, so expect lots of shipper talk. Strangely, after years of being indifferent to Rory's love life, I am now solidly #TeamJess. So take that as you will, and enjoy my random thoughts and pop culture musings.


I never wanted this revival to happen.

I have a long and complicated history with this show. I watched it happily during the first two and a half seasons, then quit because I was so over Rory's man issues. I started watching again when Lorelai and Luke got back together at the end of season 4, but I stopped watching quite so much when April showed up in season 6 and Christopher started sniffing around again. I could see the writing on the wall and by the time Lorelai threw her ultimatum and slept with Christopher, I was over it. I have seen about three episodes of the last season. I know Lorelai ended up with Luke at the last minute and that was all the resolution I needed. I have not-so-secretly thought for years that the writers always intended to have Lorelai run off with Christopher and that the only reason why that ended in the last season is because the story got away from them, and someone new came in and eventually fixed what they had ruined. I was fine with the ending and didn't want them to screw it up again.

I'm so glad I was wrong.

This particular shipper experience is a repeat of my angst over Doug and Carol in the first few seasons of ER, something that again got fixed at the last minute and left them in the perfect place. I never wanted the writers to revisit that again because I didn't trust them. I don't know if suffering through Lorelai's marriage with Christopher would be worse than watching Carol have Doug's babies alone while the writers try to convince us that the shoehorned-in love interest is superior, but I've never been interested in finding out. My shipper hopes kind of died with this Gilmore Girls experience, and I've rectified that by becoming attached to TV shows where so many character die that I don't have to worry about getting attached to anyone.


                    Well, except for this guy, #ZombieJonSnow forever, y'all. And if Daryl dies, I will riot.

However, much like ER, this show did prove me wrong. In that case, I got a tidy epilogue that showed that Doug and Carol were married, domesticated and happy nine years later. With this show, I got much of the same, although there were some kinks and disappointments to work out. I knew there wasn't much danger in either case given that it was all but stated as such in the advance publicity, but I was still a little anxious. This shipper is happy, although I still haven't forgiven the writers for what happened before. Even as much as I love this revival, I doubt I'll go back and watch season 7.

I am pretty convinced that I don't want new episodes. Some of the things the Palladinos have said about Rory's future choices have really disturbed me and kind of tarnished my respect for that crazy ending. I'm also not crazy about the fact that Amy Sherman-Palladino has almost nothing to say about Luke and Lorelai but still gushes about how gorgeous Christopher is. They've written such a beautiful, thematically consistent ending, and then they have to ruin it all by opening their mouths. Jerks. I'm sort of horrified by some of the stuff they possibly envision for the future, so I'm more than content to leave things where they are.

I do believe that this incident in pop culture is pretty good evidence that it's untrustworthy to idolize writers and showrunners. Their visions are not sacrosanct: sometimes they're terribly, horribly wrong.
If the show had ended the way it did in 2007, it would have been a disaster, but updated to 2016, it does make sense . . . if you leave it the way that it is and just go with the interpretation that most fans have from that ending. I'd rather not hear what the showrunners have to say about it at this point. It is what it is, and it's best left alone.

Overall, I don't think that showrunners/writers really understand how passionate the fans are about the characters. To them, it's not any more significant than moving puzzle pieces around, and they don't get how hard the fans root for these characters and view them as real people. Television fandom is very different than it was ten years ago. The whole industry is catered to the fans and their obsessions: heck, there are elaborate aftershows these days where people just sit and talk about what happened for an hour. Actors are much more comfortable in that space than writers are: after all, they're the ones who have to answer these questions over and over. They go to the cons and root for their teams and while this enterprise probably isn't terribly healthy, I much prefer it to the era when showrunners were treated like gods who could do no wrong.

But regardless of all of that, this was the most fun I had watching TV in a long time and I really enjoyed it.

Winter

Spring

Summer

Fall




Monday, March 31, 2014

My Thoughts On The How I Met Your Mother Finale, or How An Ending I Haven't Wanted For The Past Nine Years Ended Up Working Anyway

I've watched How I Met Your Mother for nine years. I haven't watched all of those episodes chronologically, and until recently I didn't make a habit of watching it "live". And I have to admit that I pretty much gave up on the show during season five, and it wasn't until it improved over the next couple of years that I went back and re-watched those episodes (Thank you, Netflix!) Still, it's been a long habit and I knew I would end up missing the show. It's one of the few traditional sitcoms left, and unlike so much stuff that gets praised by critics, it was a pleasant, optimistic show about a guy who tried to find space for his dreams of true love and commitment in the typically depressing mileau of modern singles sitcoms.

Ted ended up the least likable character on the show, and he actually turned out to be almost as slutty as Barney, but none of that really kept the show from being a fun, pleasant experience. The characters had their setbacks and occasional tragedies, but they didn't give up on life. They kept plodding forth and eventually seeking that something better would be coming around the corner, despite what was happening to them at the present moment. And I LIKED them. That's not insignificant in these days when it seems that every drama on TV is in competition to see how morbid and cynical and ugly they can be in a 42 hour time frame. Sure, I'm a red-blooded American female and I love zombies and the prospect of Jon Snow's derriere as much as anyone else, but it's a good idea to get a break from all of that.

So why do I think a show that killed off The Mother in the last ten minutes and reunited Ted with the character he broke up with in the second season and that he spent entirely too much time obsessing over, even as she prepared to marry one of his best friends, ended up pulling it off, against all the odds?

Let's start with Barney and Robin. They have never really had a terribly healthy relationship: it's always been full of awe-inspiring romantic gestures and short on the day-to-day support and sacrifice that makes a real marriage work. They never really tested whether they could make a relationship work: the first attempt failed disastrously and the second attempt went straight to planning a wedding with no in between. That said, I think they both did have good intentions, but they just didn't have what it takes to make a relationship work. And it's not like the writers didn't tell us this repeatedly over 22 episodes of this very, very, very long wedding weekend.

It turns out Barney didn't have it in him to be Robin's husband, but apparently he really took to fatherhood. I love this ending much more than him ending up with Robin, because he apparently shed some of his more disgusting habits and ended up being a good father. The show didn't really spend that much time on it (mostly because there was only 5 minutes left, and they had some murdering to do), but I liked to think that Robin's congratulations to him was a sign that they reconciled a bit, and that she ended up being "Aunt Robin" to his kid, too. It may have not have been the expected ending, but that doesn't mean it wasn't a happy one.

As far as Ted and The Mother goes, I was a little surprised that they didn't end up getting married until years after the kids were born, since Ted seemed so adamant about marriage throughout the entire series. I'm guessing he didn't want a wedding until everything could be perfectly planned, but if there's anything this finale taught us, it's that life doesn't work out exactly as you plan. So he settles for an impromptu wedding that brings everyone back together after a long estrangement. It's at that point that Robin re-enters everyone's lives, and becomes the beloved Aunt Robin to all six (!) kids.

As far as the Mother dying -- well, this has been a fan theory theory for a very, very, very long time. When the episode first aired that hinted that The Mother might meet an untimely end, I groaned because I never wanted that ending. We've watched way too many episodes of Ted Pining over Robin, and frankly it went way past the line a long, long time ago. When Ted was considering going after Robin in season 7, he asked Barney if he would mind, since Barney had been pursuing Robin himself a few months earlier. Barney told him no, because he puts "bros before hos" and Robin will always be his "bro" first, and he wanted her to be happy. It always bothered me that Ted could never do the same for Barney, and this entire season of making him the "villain" has never set right with me. So I really never wanted this to happen, because Ted was being such a huge douche about it in the first place. Why should he be rewarded with Robin in the end? And what does that say about his affection for The Mother?

However, you cannot deny that there was plenty of foreshadowing. First of all, there was Ted's insistent whining about Robin marrying his best friend. 22 episodes of this. Plus all the whining the year before. (DUDE, GET OVER YOURSELF). Barney and Robin fought constantly. The fact that the mother didn't narrate "How Your Mother Met Me" was a big tip off. So when Baby Mama tells Ted she doesn't want him to "live through his stories" in the future and he almost burst into sobs when she brings up the prospect of a mother missing her daughter's wedding day, it was pretty clear she was a goner.

I think what made it work for me is thinking back to "How Your Mother Met Me". Tracy (OK, let's start using her real name) tragically lost her boyfriend, Max, at a young age, and swore off dating for a long time, because she thought she would never find someone like that again. It wasn't until she met Ted that she realized that she could actually love someone else again. It doesn't mean she didn't love her boyfriend before, but life eventually moves on and things don't always work out like you plan. The Mother knew what Ted would be going through after she died, because she had been through it herself. She didn't want him to focus on the past, but to move on and eventually find joy and happiness again.

Even knowing this, the bare facts of the situation didn't sell me onto this ending. It's one thing to know something intellectually and another to accept it as it's happening, even if it's completely fictional. I completely rejected the prospect when it re-emerged a few weeks ago, and hoped that The Mother would recover. I didn't want The Mother to die: I loved her myself and wanted her to stick around. Besides, wouldn't the kids be angry that their father is having a relationship with their "Aunt", and wonder if something had been going on when their mother was alive? Is Robin really going to be able to handle resentful, recently traumatized teenagers? And since Ted obviously still idealizes and loves The Mother, is he really ready to jump into a relationship with someone else, even if he's known her for 25 years?

I think what turned this around was the reaction of the kids. They insisted the story wasn't really about their mother, but about "Aunt Robin". They still love their mother, but she's been gone a while now. They are close to Robin, and they endorse their father's potential relationship with her. They know, even before their father does, that his relationship with her doesn't negate the relationship he had with their mother. He did really love her and cherish every moment of their relationship, which is why she was so idealized throughout the entire show. That's the way he always thought of her. She seemed perfect to us because she was perfect to him. As more and more time passed, she stayed that way in his memory in a way that she wouldn't be if she was sitting on the couch beside him the entire time, picking her toenails. And even after her death, Ted remained the loyal family man he always wanted to be, remaining primarily devoted to his children and remembering life as it was.

However, life goes on, and as Ted ponders picking up that cordless phone that cannot possibly be functioning in the year 2030, he knows it's time to move on. So he shows up to Robin's old apartment, with the same grand romantic gesture he greeted her with 25 years earlier. Maybe he's not completely over The Mother at this point, but it's a date, not a marriage proposal. (And for the kids' sake, let's hope that doesn't come for a while, because she knows them and she won't let them get away with as much as they think). It's a new story, because the old one's already been told. It turned out to be a pretty great one.

A few extra thoughts before I conclude this:

- I noticed that throughout the finale the rest of the cast looks like the almost middle aged parents that they are. Even Barney. But Robin always look gorgeous and poised, because Ted is feeling those old feelings again and he looks at her differently, even if he doesn't realize it. But when Ted finally greets her at her apartment, she looks more like the rest of them, complete with bad haircut, because she's ready to meet him on real life terms.

- That scene with Barney and his daughter. TEARS. 

- If nothing else, this show should deserve credit for making NPH into a star.

- I wonder if any of the kids end up dating each other. That should be an interesting story to tell the grandchildren.

-I think the reason this resonated so much with me is like most of America, I come from a long line of remarriages and blended families. I won't go into all of the details, but when my younger sister died 15 years ago and my parents split up soon afterwards, I was devastated. I felt like I had lost everything. My parents remarried and now instead of being the only child of estranged parents, I have two lovely stepparents, three stepsisters, one stepbrother, more in-laws and inherited cousins than I care to list right now, and I am the "aunt" of five wonderful kids. I never could have had all of that if my parents had stayed together. I won't pretend that it's solved all of my problems or that it hasn't upped the dram quotient by a considerable number, but I am glad things worked out this way. Admitting that doesn't mean that I didn't appreciate my family as it originally was when I was growing up, but it does mean that even if things didn't work out like anyone had planned, life does move on and it can be good again in new and wonderful ways. And that's really all I have to say about it.

Friday, September 27, 2013

The Grace Potter/David Cook Recap Fiasco, Or Why You Should Always Wear Hot Pants To Remain In My Good Graces

Okay, first of all, this is an experiment in blogging, so ease up.

Many moons ago, I was gainfully employed and did not have a large credit card balance, so I bought a ticket to the Grace Potter show. Then both of these things changed, but I still had the ticket. I love Grace Potter. I arrived late to the Avett Brothers show last fall when she was rocking some hot pants with her tasty Southern rock, and it was will call, so I am definitely following through with this. Then David Cook announces he's coming to town, with a 4 week notice. Though I am no longer employed, it's only 20 bucks, he rarely tours for real people these days, and I can handle going to 2 shows in 2 days, right?


However, I am sort of an ex David Cook fan, despite the name of this Blogger profile. Yes, I was totally obsessed with him in 2008 and 2009. However, at that time in my life I had my own computer after three years and I badly needed a hobby. I slid right into that Idol fandom and became, well, what Idol fandom is known for. I had a lot of fun. My online friends really supported me when I lost my job in 2009 and pretty much had nothing to my name. They even offered to buy tickets for me to take my mind of all the impending disaster of crushing poverty. But (fortunately) that never came to pass and several aspects of the fandom really began to bug me. It was very clique-y and there were competing groups of fans always angling to see how close they could get to Cook and his crew and who had the record for attending the most shows. People who could not afford to go to multiple shows and increase their fan prestige were mocked and insulted for not being good fans and making the wealthy fans feel bad. There was a lot of drama and angst about whether Cook should let his band members take over the singing and songwriting duties for him. It just became a pretty nasty scene.

 In the midst of all of this, someone else won Idol the year after Cook did, and he also wrote catchy songs and played the guitar, and was much more of an underdog, and his fandom had a lot less drama and angst. So I switched my loyalties, shall we say, and I've since spent a lot of time online ragging on Cook and some of the angst in his fandom. I also felt left out of that fandom because of my political differences where it was expected that *everyone* thought a certain way or at least shut up while the ladies with more PC idea got to rant and call us names. Kris Allen fandom is a lot more tolerant of us that don't toe the liberal line. I didn't like Cook's second major label album, and I didn't care for the emo power ballad direction that he was going in. I just wanted a music and a fandom that was less serious, and I tend to gravitate more towards country and pop these days. Cook's post-major-label sound seemed turgid and monotonous to me. In addition to that, I was quite infamously not amused with the fact that he removed himself from the road for 2 years, playing only private or red-carpet gigs, and yet was constantly being featured in puff pieces that misrepresented this.

However, despite of all of this, I have bought anything he has ever recorded. However, since I already knew how fabulous Grace was, I joked that the only way that the Cook show could top hers is if guitarist Andy Skib was willing to wear hot pants.

So, September 25th comes around, and I get to the Grace Potter show late (as usual), after emerging from a parking spot that apparently was SO FOREBODING that even though the club was packed to capacity no one else wanted to park anywhere near there. I didn't get nearly as close as I wanted, but it was still an awesome show. Here is one example of my not-entirely-in-focus photos from the show:



As you can see, no hot pants, but that miniskirt doesn't leave much to the imagination.

As you can see, I'm still trying to work this smartphone thing out.

I'll talk about the actual music in a minute, but first let's discuss how obnoxious this crowd was. There was the tattooed girl who kept playing the "I WHIP MY HAIR BACK AND FORTH" game during the opening act. Then there was the very androgynous person next to me that kept jumping up and down to find his/her friends on the balcony (very, very annoying). When his/her girlfriend showed, he/she performed a mating ritual that consisted on running his hands through her hair, then through his, then trying to dry hump her right there on the floor. (Gross). Then there was the middle-aged guy who keep leering at me while feeling up his much younger wife/girlfriend. And to top it all off, the guy who tried to trip his girlfriend and FAILED, then decided to trip me instead. Tons of fun, I tell you.

Despite all that, the show was awesome. She opened up with a couple of songs I don't know, then went over to the piano to sing "Parachute Heart" and "Goodbye Kiss". The she came back to the mike and sang "Low Road" and "One Short Night" and encouraged us to have sweaty, ill-advised sex with each other. (For one of the many reasons I did not take her up on that offer, see the previous paragraph). Then it was back to the piano for "Stars" and a long, bluesy version of "Treat Me Right". She then did a hoedown song I didn't recognize (I'm from Alabama. I've heard a lot of hoedown songs in my time, believe me) and followed it up with a hot-pants-worthy version of "Medicine" and "Nothing But The Water", which was the longest, sweatiest, most visceral thing I think I think I've seen on stage, and that includes the time I saw Mary Timony on the floor of the Bottletree Stage rocking a guitar solo while lying on the floor in a miniskirt that left even less to the imagination than the one Grace was wearing. In its honor, I submit the only good picture I took that night:



Somewhere in there were "Keepsake" and "Stars", as well as long, pulsating versions of "The Lion The Beast The Beat" and "The Divide".

All in all,a totally searing rock star experience. I don't even mind overspending on the T-shirt.

So the next night, the only way to possibly beat that experience was if Cook's entire band showed up in hot pants, right? Alas, this was not to be.

Cook was playing in the Workplay theater, which holds about 250 people. I am going to say there were about 75 people there. And I'm being generous. I have been to about 15-20 shows at this venue over the past 3 years (I am aware I might have a concert addiction, but the shows there are really cheap, usually not more than ten bucks) and only 2 of those shows had a crowd this small. Both of those bands came back, but due to Cook's somewhat uncertain career plans and the fact that this was his only trip here since 2008, I figure this was probably my only chance to see him.

The opener was a cute little girl named Jules Vera from Auburn. She was lovely, but she seemed a bit intimidated by the fact that so many people (probably about at least half the crowd) admitted to driving in and had all been to Cook's show in Florida the night before.

Cook's show was fairly solid, if unsurprising. He has been playing the exact same setlist every night on this tour, but the fans that follow him to various cities don't seem to mind and the locals will likely never find this out, so perhaps I shouldn't care, either. The small crowd seemed to loosen him up, and he even had the bartender bring him some beer onstage.


I had some beer while I was there. Beer is utterly disgusting. I would have asked for tequila.

I am not going to go step by step through the setlist because if you're reading this, you know what it is and I'm not going to rehash it. "We Believe" and "The Last Goodbye" don't sound any better to me live, but "Come Back To Me" did grow on me. I am not fond of "Wicked Game", and it's not just because Kris Allen did a better version and even then he didn't improve on the original. The song needs a lighter touch than Cook can provide. Now, if he wants to sing Soundgarden or Shinedown that would be perfectly fine, and people like Kris shouldn't sing those songs. But at any rate, I did not enjoy it.

If you're mad at me for saying that, please enjoy these pretty pictures:




I will say that "Declaration", "Light On", 'Paper Heart", and "Heroes" were in pretty fine form. Of the new songs, I don't like "Carry You" or "I'm Gonna Love You" at all and my opinion hasn't changed. "Eyes On You" (aka "the funky song") was incredible, despite all the drunk middle aged women (OK, there was at least one guy, too) trying to turn the floor into a disco (sadly, there was enough room to do that). "Kiss and Tell" and "Laying Me Low" were pretty muscular, and "Where Do We Go" is growing on me. 

The highlight of the show was the 15 second sliver of "Silver", one of his pre-Idol songs. He also sang about 30 seconds of "The Time Of My Life", but I would much have rather had a full Analog Heart song. One of the girls asked if he would sing "Don't Say A Word", but he declined, saying he hadn't sung that since he was in a different insurance bracket. I know if it's mostly the hardcore fans who are coming out, they would love it if he re-learned an Analog Heart song to vary the setlist a little.

All in all, it was a fairly entertaining show. I'm glad I went. Cook openly admitted that he doesn't really know what he's doing album-wise, so if you're a fan, I advise you to come out.

I didn't stay for a M & G because I find those things unbelievably awkward. However, I will give credit to Cook for meeting the crowd by the merch table because he certainly doesn't *have* to do that, and his demeanor during the show was a far cry from a lot of the things I've accused him of in the past. Still, I don't expect to see him for a while after this tour. And of course, I would have enjoyed it a lot more if hot pants were involved.